As stated previously within this blog,
“The Fibonacci Sequence is a sequence of numbers beginning with 1,1,2,3,5… where each proceeding number in the sequence is the sum of the two numbers before it. Thus an extended version of the sequence shows
1,1,2,3,5,8,13,21,34,55,89,144,233,377… and so on.”
Looking at the first few numbers in the sequence, up until 13 we can see that many of these numbers can be applied to a musical scale. Within one octave of the scale, there are 13 notes total. Any scale, consists of eight notes, and when played in order, the 5th, 3rd, and 1st notes, make up the basic triad, and the difference of two between each of these notes. Going from one note to the next in a scale consists of whole or half steps, where going up one note is 1 half step, and one whole step is 2 half steps. In the most basic major scale, the one without any accidentals (flats or sharps in the key signature), C major, on a piano, the scale consists of 8 white keys, skipping the 5 black keys in between. The 5th note of the scale is the 8th note when counting all keys.
While these sorts of patterns may not influence the way music sounds, it may give us more insight into the way music works and how instruments as well as musical writing was designed